Maurizio Costanzo, who passed away last Friday at the age of 84, had a sad funeral held at the Artist’s Basilica in Rome. Don Walter Incero, who was just consecrated a priest by Pope Francis, will officiate at Mass. The priest recently informed Maurizio Costanzo about the different projects carried out to assist individuals in need.
The burial for Maurizio Costanzo will be held at 3 p.m. in the Church of the Arts in Rome. The coffin got there in light rain. Alessia Marcuzzi, Rudy Zerbi, and Luciana Littizzetto, the final TV stars and musicians to arrive, were among the hundreds of people who greeted the hearse with continuous ovation. Long-lasting applause from numerous people outside the church greeted the casket as soon as it arrived at the chapel.
The sad funeral for Maurizio Costanzo, who passed away last Friday, will be shown live on the Rai daytime program at 3 p.m. today from the Church of the Artists. Funeral services will be suggested, particularly on Rai 1, by special episodes of “Today is another day” and “La Vita live.” Nonetheless, a recently-recorded episode of “Bellamà” will show on Rai 2. This interview with Topo Gigio was created as a result of a collaboration between Pieluigi Diaco and Maurizio Costanzo. devotion of the conductor to his beloved friend and teacher.
When some of Maria De Filippi’s followers insisted on taking pictures in front of her husband Maurizio Costanzo’s casket on the second day at the Campidoglio funeral home, social indignation did not abate. The moderator intended to shake hands with everyone who had waited in line for the Sala della Protomoteca for two days at one point during the day and say goodbye to any passing media. The 84-year-old The Ordinary passed away on Friday. But, after shaking hands, at least a few people took out their phones to take selfies with Costanzo’s widow.
Understandably, this was noticed, and numerous colleagues in the entertainment sector took to social media to voice their displeasure at Maria De Filippi’s action and solidarity. Rita Dalla Chiesa was the most critical of them all. She commented on a photo of a man taking a photograph with Maria De Filippi on social media, saying, “This is the face of someone who wants to take a selfie with Maria… Anybody who knows it should stay away from it. Switch it on. Forever”. No longer tender Selfies with well-known widows, says Selvaggia Lucarelli. In those moments when you run out of reserves too, I think of Maria De Filippi and the tremendous effort that went into those violent Asking people because they resemble us more than we realize. The first phone I saw was a vaffan in my opinion. On Instagram, Francesca Cabara added: “Most people assume that the stars of famous TV belong to someone. Nowadays, a widowed lady is subjected to abuse because of a right.
Maria De Filippi, who consents to snap photos while in pain, wins admiration for her tolerance and compassion. These improper persons that approach her for souvenir photos(?) must, however, stay within a certain bounds. Several people have expressed themselves in the same way, including through remarks, pictures, and violent declarations. Your statement that “if you are famous you have to accept everything and you have to expect it” demonstrates that you hold everyone else’s lives less important than your own. Frank Matano tweeted: “Someone merely has to create an article on etiquette of social network usage, with a chapter clarifying Stating that one can also remove oneself when paying respect to someone’s disappearance. This refers to the selfie as well as perhaps some form of painful expressionism. Fantastic”. “Ask for a selfie at a mortuary. Federico Palmaroli, also known as Osho, wrote, “The abyss of society,” and then later uploaded one of his cartoons atop a picture of a woman taking a selfie with De Filippi, writing, “Sorry, Mary, my camera is on fire.”
The impulse to use social media or contact celebrities in the most unsuitable settings has sparked debate on numerous occasions. “Pictures with the Dead” caused uproar after David Sassoli passed away more than a year ago, with several politicians attesting to their closeness through posts and images from the funeral home. When his mother passed away twenty years ago, Gerry Scotti described what occurred to him to Fedez and Luis Sal’s “Wild Moss” in June of last year: “I was in the mortuary with my mother, a group of raucous relatives in the coffin close. They entered with some papers and asked me to sign them after noticing me. I debated whether to headbutt him or grab him by the hands. and after that, I saw my mother sign it.